Home  ›  1 2 3 O clock 4 O clock Rock Seven Heaven Take Me Again Radio

1 2 3 O clock 4 O clock Rock Seven Heaven Take Me Again Radio

Written By Sunday 15 May 2022 Add Comment Edit

American early on rock and coil song

"Stone Around the Clock"
Rock Around the Clock.jpg

"Rock Around the Clock" 45" single
Single by Nib Haley & His Comets
from the album Stone Around the Clock (original version)
A-side "13 Women (And Only One Man in Town)"[1]
Released May 20, 1954 (1954-05-twenty), New York City[2] and over again in May 1955
Recorded Apr 12, 1954 (1954-04-12), Pythian Temple studios, 135 Westward 70th Street, New York City[3] [four]
Genre
  • Rock and roll
  • rockabilly
Length ii:08 (see length variations)
Characterization Decca
Songwriter(south) Max C. Freedman
James E. Myers (as Jimmy DeKnight)
Producer(s) Milt Gabler[5]
Bill Haley & His Comets singles chronology
"Chattanooga Choo Choo" / "Straight Jacket"
(1954) 		"Rock Around the Clock"
(1954) 		"Shake, Rattle and Roll"
(1954)
Sound sample

"Stone Around the Clock"

  • file
  • help

"Rock Effectually the Clock" is a rock and ringlet song in the 12-bar dejection format written past Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and about successful rendition was recorded past Beak Haley & His Comets in 1954 for American Decca. It was a number one single for two months[half-dozen] and did well on the United kingdom of great britain and northern ireland charts; the recording besides reentered the UK Singles Chart in the 1960s and 1970s.

It was the first rock and curlicue record to reach #1 on the United states charts. (Bill Haley had American chart success with "Crazy Man, Crazy" in 1953, and in 1954, "Shake, Rattle and Roll" sung past Big Joe Turner reached No. 1 on the Billboard R&B chart). Haley's recording became an anthem for rebellious 1950s youth,[seven] specially after it was included in the 1955 film Blackboard Jungle. Information technology was Number 1 on the pop charts for ii months and went to Number three on the R&B chart.[viii]

The recording is widely considered to be the vocal that, more than any other, brought rock and roll into mainstream civilisation effectually the earth. The song is ranked No. 159 on the Rolling Stone magazine'due south list of The 500 Greatest Songs of All Fourth dimension.

Although it was first recorded past Italian-American band Sonny Dae and His Knights on March 20, 1954,[9] Myers claimed the song had been written specifically for Haley but, for various reasons, Haley was unable to record information technology himself until April 12, 1954.

The original full title of the song was "We're Gonna Rock Around the Clock Tonight!". This was after shortened to "(We're Gonna) Rock Around the Clock", though this class is more often than not just used on releases of the 1954 Bill Haley Decca Records recording; most other recordings of this song by Haley and others (including Sonny Dae) shorten this championship further to "Rock Effectually the Clock".

In 2018, it was selected for preservation in the National Recording Registry by the Library of Congress every bit existence "culturally, historically, or artistically meaning."[x]

Fake starts [edit]

In that location are sources that signal that "Rock Effectually the Clock" was written in 1953, but documents uncovered by historian Jim Dawson bespeak information technology was in fact written in late 1952. The original arrangement of the song bore little resemblance to the version recorded past Haley, and was in fact closer to a pop instrumental of the twenty-four hours called "The Syncopated Clock" (written by Leroy Anderson).

The song was credited to Myers (equally "Jimmy DeKnight") and Max C. Freedman when it was copyrighted on March 31, 1953. However, its exact authorship is disputed, with many speculating that Freedman wrote the song on his own.[11] In that location were several earlier songs of the title "Rock Around the Clock" (by Hal Singer and Wally Mercer), merely they are unrelated to the Freedman/Myers vocal. In addition, it is sometimes erroneously stated that "Rock Around the Clock" is copied from a belatedly-1940s Big Joe Turner recording, "Around the Clock Blues". Though the titles are similar, the ii songs bear little resemblance. There are many dejection songs with the theme of partying or making beloved "circular the clock", with various actions specified at various hours.

Notwithstanding, the verse melody of "Stone Effectually the Clock" does bear a very close similarity to that of Hank Williams' first hit, "Move It On Over", from 1947. Williams' song was very like to Charley Patton'due south "Going to Move to Alabama", recorded in 1929 – which itself was at to the lowest degree partly derived from Jim Jackson's "Kansas City Blues" from 1927. The song as well uses phrases from Count Basie'southward "Red Railroad vehicle", first recorded in 1939.[12]

According to the Haley biographies Bill Haley past John Swenson and Rock Around the Clock past Dawson, the song was offered to Haley past Jimmy Myers in the wake of his commencement national success, "Crazy Man, Crazy" in 1953, after existence copyrighted with the U.S. Library of Congress on March 31.[13] Haley and his Comets began performing the song on stage (Comets bass player Marshall Lytle and drummer Dick Richards say the starting time performances were in Wildwood, New Jersey at Phil and Eddie'southward Surf Gild), but Dave Miller, his producer, refused to permit Haley to record information technology for his Essex Records label (Swenson suggests a feud existed between Myers and Miller).

Haley himself claimed to have taken the sheet music into the recording studio at least twice, with Miller ripping up the music each time. Nonetheless, rumors of a 1953 demo recording past Haley persist to this day, although surviving members of the Comets deny this, as did Haley himself (quoted in the Swenson biography); a tardily-1960s bootleg unmarried of the Decca Records version of "Stone Around the Clock", with "Crazy Man, Crazy" on the B-side and carrying the Essex label, occasionally turns up for sale with the claim that it is the demo version.

Myers adjacent offered the song to and organized the recording past Sonny Dae & His Knights, a novelty all-white musical group led by Italian-American Paschal Vennitti. The group's subsequent recording, on the Arcade Records label (owned past Haley'due south manager, Jack Howard), was a regional success, although it sounded very different from what Haley would later record.

Sheet music cover for the recording by Bill Haley and His Comets on DECCA Records, Myers Music, Philadelphia, 1955.

Decca recording session [edit]

Later leaving Essex Records in the spring of 1954, Beak Haley signed with Decca Records, and the band'southward first recording session was gear up for April 12, 1954, at the Pythian Temple studios in New York Metropolis.[three] [4] The recording session almost failed to take place because the band was traveling on a ferry that got stuck on a sandbar en route to New York from Philadelphia. In one case at the studio, producer Milt Gabler (Gabler was the uncle of actor Billy Crystal and had produced Louis Jordan every bit well as Billie Holiday), insisted the band work on a song entitled "13 Women (and Only One Man in Town)" (written and previously recorded past Dickie Thompson), which Gabler wanted to promote as the A-side of the grouping's first single for Decca.

Virtually the finish of the session, the band finally recorded a take of "Rock Around the Clock", but Haley's vocals were drowned out by the band. A second take was quickly made with minimal accompaniment while Sammy Davis Jr. waited exterior the studio for his turn backside the microphone. Decca engineers later combined the two versions into one version. (Comets piano player Johnny Grande tells a slightly different version, challenge that the merely reason a 2d take was recorded was that the drummer fabricated an error.)

Many musicians take claimed that they performed on the recording session for "Rock Around the Clock". Song co-writer Myers once claimed he had played drums on the piece, although he also claimed to have been advising the audio mixer in the recording berth.[14] According to the official tape canvass from the session, nonetheless, the musicians on the famous recording are:

  • Bill Haley – vocals, rhythm guitar
  • Marshall Lytle – double bass
  • Franny Beecher - guitar
  • Billy Williamson – steel guitar
  • Johnny Grande – pianoforte
  • Billy Gussak – drums (session musician)
  • Danny Cedrone – electric guitar
  • Joey Ambrose (aka Joey D'Ambrosio) – tenor saxophone

Dick Richards, Haley'southward drummer at the time, confirmed in a 2016 interview with Dutch journalist Gerbren Deves, that it was not him, but Gussak playing drums on the recording. Despite not being members of Bill Haley and His Comets, Gussak and Cedrone were trusted session players that Haley had used before. Cedrone'south guitar solo was one that he used earlier on Beak Haley And The Saddlemen'southward version of "Rock the Articulation" in 1952, and is considered one of the archetype stone and roll guitar solos of all fourth dimension. (Cedrone died in a fall down a stairway on June 17, 1954, and never lived to see his contribution become famous and legendary.) The 2d instrumental break recreates a popular rhythm and dejection "out chorus" with tenor sax and guitar emulating the rhythm section.

The version of "Rock Effectually the Clock" that was used in the movie Blackboard Jungle differs from the hit single version. The difference is in the two solo breaks. The record has the guitar solo taking the get-go intermission and the sax solo taking the second break. The moving picture version is just the opposite with the sax solo coming first.

In a 2005 retrospective on his uncle Milt Gabler's work (The Milt Gabler Story), Billy Crystal identifies Haley's 1954 recording of "Rock Around the Clock" as the single most important song Gabler always produced. Gabler had previously been responsible for the highly successful string of R&B and jump dejection recordings by Louis Jordan in the late 1940s, which were characterised by their strong vanquish, clearly enunciated lyrics and loftier product values, all features which Gabler sought to echo in Haley's recordings. Likewise significantly, "Rock Around The Clock" was recorded in the very same month that Atlantic Records issued Big Joe Turner's "Shake, Rattle and Roll". In relation to "Stone Around The Clock", Gabler said: "I was aware that rock was starting. I knew what was happening in the Philadelphia area, and "Crazy Human being, Crazy" had been a hit about a year before that. Information technology already was starting and I wanted to take it from there."[15]

Slow road to classic hit condition [edit]

Equally Gabler intended, "Rock Around the Clock" was beginning issued in May 1954 as a B-side to "Xiii Women (and But One Human being in Town)".[xvi] While the song did make the American Cashbox music charts (contrary to popular opinion that it was a flop), it was considered a commercial disappointment. It was non until 1955, when "Rock Effectually the Clock" was used under the opening credits of the film Blackboard Jungle,[17] that the song truly took off.

Many versions of the story behind how "Rock Around the Clock" was chosen for Blackboard Jungle circulated over the years. Recent research, however, reveals that the song was chosen from the collection of young Peter Ford, the son of Blackboard Jungle star Glenn Ford and dancer Eleanor Powell. The producers were looking for a vocal to represent the type of music the youth of 1955 were listening to. The elder Ford borrowed several records from his son, one of which was Haley's "Rock Effectually the Clock".[xiii] In 2004, the song finished at #50 in AFI'southward 100 Years ... 100 Songs survey of top tunes in American cinema.

On July 9, 1955 "Rock Around the Clock" became the first rock and roll recording to hitting the top of Billboard's Popular charts, a feat information technology repeated on charts around the world.[xviii] The vocal stayed at this identify for viii weeks. The tape was besides no.i for seven weeks on the Cashbox pop singles nautical chart in 1955. The Nib Haley version also hit number 3 on the R&B charts.[19] Billboard ranked it as the No. two song for 1955, behind Perez Prado's "Cherry Pink (and Apple tree Flower White)".

In the United kingdom, Haley's "Rock Effectually the Clock" was released on Brunswick Records (and Frg as well), reaching number 17 on the UK Singles Chart in Jan 1955, four months before it first entered the US pop charts.[20] (Coincidentally, information technology reached the same position as The Beatles' commencement single, "Honey Me Do", in 1962.) The song re-entered the United kingdom chart to accomplish number i in November 1955 for three weeks, and after a three-week suspension returned there for a further two weeks in January 1956.[21] It re-entered the charts again in September 1956, reaching number five. The song was re-issued in 1968, when it made number twenty, and once more in 1974, when it reached number 12. The song's original release saw it become the UK's first million selling unmarried and information technology went on to sell over i.iv meg copies in total.[22]

The band performed the song on the May 31, 1955 episode of Texaco Star Theater hosted past Milton Berle in an a cappella and lip-synched versions.[23] [24] On August 7, 1955, the band performed the song on the Ed Sullivan Show, hosted by Ed Sullivan.

On the heels of the song breaking into the Height twenty in the Uk in 1968, Decca began plugging the single in the Usa, where it briefly re-entered the Billboard charts in June 1968, peaking at #118.

"Rock Around the Clock" became wildly pop with teenagers around the world. The single, released past independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. Columbia Pictures cashed in on the new craze by hiring Haley and his band to star in two movies, Rock Around the Clock (1956) and Don't Knock the Stone (1957). In 1957, Haley toured Europe, bringing rock 'n' roll to that continent for the showtime time.

'It'southward very hard to tell what made me first decide to play the guitar. Rock Around the Clock by Bill Haley came out when I was ten, and that probably had something to practise with it.'

In 1964, Bill Haley and His Comets recorded a sequel song entitled "Dance Around the Clock". Haley actually recorded this vocal on v occasions (a Spanish-language version for Orfeón of United mexican states Metropolis and an English version for the United states label Newtown Records (both in 1964), 2 live versions for Buddah Records recorded in New York in 1969 (neither of which were released for 25 years), and once more in Nashville, Tennessee for the Swedish Sonet Records characterization in 1970). Despite these efforts, the vocal was not a commercial success.

Haley would re-tape "Rock Around the Clock" many times over the years (even scoring a substantial hit with a version recorded for Sonet Records in 1968), only never recaptured the magic. In 1974, the original version of the song returned to the American charts when it was used as the theme for the motion picture American Graffiti and a re-recorded version by Haley was used as the opening theme for the Telly serial Happy Days during its first 2 seasons. In the UK, the song again reached the superlative xx and as of 2013 remains the only not-Christmas unmarried to have done so on 5 divide occasions.[22] The original version was as well featured in the 1978 flick Superman, heard playing on a car radio just prior to Glenn Ford'southward terminal scene in the film; Ford, every bit noted earlier, had starred in Blackboard Jungle. In 1981, near a year before Haley's death, a portion of the 1954 recording was featured in the opening credits of Season 6 of Austin City Limits.

During the 1970s, Haley shortened his performances of "Rock Around the Clock", dropping one poesy and the 2d instrumental break from about performances. All the same, his last known recorded performance of the song, at a November 1979 control performance for Queen Elizabeth Two, was a complete version.

Following Haley's death in Feb 1981, a number of major tributes involving "Rock Effectually the Clock" occurred. That fall, a Telly special marker the 30th anniversary of American Bandstand saw an all-star "supergroup" perform the song (accompanied by 1950s-era footage of Haley and the Comets). In 1982, Haley's original recording was given the Grammy Hall of Fame Award. An excerpt from the recording was included in "Haley's Golden Medley", a hastily compiled unmarried in the "Stars on 45" mold which made the Great britain record charts in 1982, reaching number fifty. In 1989, Haley's original Decca recording was incorporated into the "trip the light fantastic toe mix" single "Swing The Mood", credited to Jive Bunny and the Mastermixers, but legal considerations forced the album version to substitute a patchwork of re-recordings from the 1950s and 1960s (in Haley's case, a 1968 version of "Rock Effectually the Clock" recorded for Sonet Records). Since "Swing the Mood" was still on the sales charts going into 1990, it meant that Haley's "Rock Around the Clock", in one way or some other, appeared on UK or United states of america sales charts in five sequent decades.

"Rock Effectually the Clock" is often cited as the biggest-selling vinyl stone and curlicue single of all time. The verbal number of copies sold has never been audited; however, a figure of at least 25 million was cited by the Guinness Book of Globe Records in its category "Phonograph records: Biggest Sellers" from the early on 1970s until the 1990s, when the appearance of compact discs led to Guinness discontinuing the category. Guinness consistently listed "Rock Effectually the Clock" as having the highest claim of whatsoever pop music recording, coming second in sales simply to Bing Crosby's 1942 recording of "White Christmas", which was likewise listed equally having sold 25 1000000 copies. Haley's version solitary is estimated to have sold xv one thousand thousand copies, with a total of 30 million copies counting all versions.[26] [27] A ofttimes used slice of promotion regarding the vocal is that information technology is said to be playing somewhere in the world every minute of the 24-hour interval.

Length variation [edit]

Although originally released on vinyl 45 and shellac 78 at a running time of 2 minutes and 8 seconds, most digital/CD releases of the original 1954 recording, starting with the "From The Original Master Tapes" compilation of Haley's piece of work with Decca Records, mastered past Steve Hoffman and released in 1985, clock in at 2:x. This is due to the inclusion of a "count-in" past one of the Comets (proverb, "One ... two") at the very start of the song. This was never included in the original single or anthology releases of the song. (All of Haley'southward subsequent studio rerecordings of the song run longer than 2:10 with the exception of the abbreviated version recorded for Happy Days.) In that location are no other studio recorded version after the 1950s and Happy Days versions.

Tributes [edit]

In tribute to the influence of the vocal and the motion picture that launched its popularity, the March 29, 2005 50th anniversary of the opening of Blackboard Jungle was marked past several large celebrations in the United States organized by promoter Martin Lewis under the blanket championship "Rock Is L".[28] [29] Stone Is Fifty also hosted additional celebrations in Los Angeles in July, 2005, every bit part of a "Rock Around the Clock-a-Thon" to gloat the 50th anniversary of the date the song reached the No. 1 spot on the American charts, besides as to observe what would have been Haley's 80th birthday. These events included numerous appearances and performances by surviving members of the original Comets, including the band's consecration into the Rock Walk hall of fame, a performance at the Viper Room society on the Sunset Strip, and a special performance for employees of NASA'south Jet Propulsion Laboratory in Pasadena to gloat the success of the Deep Impact space probe. A special video of "Rock Around the Clock" was created to mark the occasion and was featured on NASA'due south website during July and August 2005. The anniversary was also marked by the publication of a volume entirely devoted to the history of the vocal, Stone Effectually the Clock: The Record That Started the Rock Revolution, by Jim Dawson.[30]

The United States House of Representatives too recognized the 40th ceremony of the composing of "Rock Effectually the Clock" with a special statement by Rep. Robert A. Borski of Pennsylvania, which was read into the Congressional Record on March 31, 1993.[31]

1955 United kingdom release as a Brunswick Records 45 unmarried, 45–05317.

The Belgian band Telex covered the song in 1978. They performed the song on Top of the Pops. Their version peaked at number 51 in Commonwealth of australia in 1979.[32]

The vocal was featured in Season vii of the series Dancing with the Stars in 2008 in a jive dance sequence.

Haley's version appears in a 2017 commercial for Subway's Reuben sandwich promotion.[33]

The 1954 Decca Records studio recording was featured on the ABC TV show Dancing with the Stars: Juniors in the 2018 season during a trip the light fantastic toe sequence.

John Legend performed the song on the season finale of The Voice on NBC on May 21, 2019, as "Cake Around the Clock".

Albums [edit]

As Bill Haley's best-known recording, there take been dozens of compilation album releases over the years entitled Stone Around the Clock. The almost notable of these compilations was the 1955 Decca Records anthology Rock Effectually the Clock (Decca DL 8225) which contained most of the tracks Haley recorded equally singles for the label in 1954 and 1955.

Some other notable album release entitled Rock Around the Clock was the 1970 Authentication Records Great britain release Rock Around the Clock (SHM 668) which was the first British release of a 1968 album entitled Bill Haley's Biggest Hits which had been released in Sweden by Sonet Records. The album consisted of newly recorded renderings of Haley classics from the 1950s, along with some previously unrecorded songs.

Charts and certifications [edit]

Nautical chart operation [edit]

See too [edit]

  • List of Billboard number-one singles of 1955

Notes [edit]

  1. ^ Gordon, Terry E., "Photos of Rock Around the Clock record single" [ permanent dead link ] , Rockin' Land Mode: A Discography of Country Rock & Whorl and Related Records, 1951–1964
  2. ^ "How 'Rock Around the Clock' Concluded Up Being Released as a B-Side". Ultimateclassicrock.com . Retrieved May ii, 2021.
  3. ^ a b Simons, David (2004). Studio Stories – How the Cracking New York Records Were Fabricated. Lanham, Maryland: Backbeat Books. pp. 168–169. ISBN9781617745164.
  4. ^ a b Grayness, Christopher (June eighteen, 2009). "An Improbable Cradle of Rock Music". The New York Times . Retrieved September 5, 2009.
  5. ^ Hoffmann, Frank (2005). Encyclopedia of Recorded Audio (Second ed.). Abingdon, England: Routledge. pp. 421–422. ISBN0-415-93835-X.
  6. ^ "Timeline of Musical Styles & Guitar History". Acousticmusic.org . Retrieved May 2, 2021.
  7. ^ "Pecker Haley". Rockhall.com . Retrieved October 10, 2016.
  8. ^ Weinstein, Deena (2015). Rock'n America: A Social and Cultural History. Toronto, Ontario, Canada: University of Toronto Press. p. 57. ISBN978-1442600157.
  9. ^ "MP£ file". Rcs-discography.com . Retrieved October 10, 2016.
  10. ^ "National Recording Registry Reaches 500". Library of Congress. March 21, 2018. Retrieved March 21, 2018.
  11. ^ "Catalog of Copyright Entries: Tertiary serial". May 2, 1953. p. 202. Retrieved May two, 2021 – via Google Books.
  12. ^ Gammond, Peter (1991). The Oxford Companion to Popular Music. Oxford, England: Oxford University Press. p. 495. ISBN978-0193113237.
  13. ^ a b Dawson, Jim (2005). Rock Around the Clock: The Tape that Started the Rock Revolution. Lanham, Maryland: Backbeat Books. p. 62. ISBN0-87930-829-X.
  14. ^ Swenson, John. Nib Haley. (Star Books, 1983).
  15. ^ Dawson, Jim; Propes, Steve (1992). What Was The First Rock 'n' Curl Record?. London, England: Faber and Faber. pp. 121–123. ISBN0-571-12939-0.
  16. ^ "45cat - Bill Haley And His Comets - 13 Women (And But One Man In Town) / (We're Gonna) Rock Around The Clock - Decca - USA - nine-29124". 45cat.
  17. ^ Gilliland, John (1969). "Show 5 - Hail, Hail, Stone 'n' Roll: The stone revolution gets underway. [Part 1]" (audio). Pop Chronicles. University of North Texas Libraries.
  18. ^ Dawson (2005).
  19. ^ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942–2004. Menomonee Falls, Wisconsin: Record Inquiry. p. 242. ISBN978-0898201604.
  20. ^ "45cat - Bill Haley And His Comets - Milk shake, Rattle And Roll / A.B.C. Boogie - Brunswick - Britain - 05338". 45cat.com . Retrieved October 10, 2016.
  21. ^ Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex, England: Guinness Superlatives Ltd. p. 21. ISBN0-85112-250-seven.
  22. ^ a b The Million Sellers: The UK's Greatest Hits (First ed.). London, England: Omnibus Printing. 2012. p. 9. ISBN978-1-78038-718-5.
  23. ^ "They go on the Milton Berle Prove, May 31" Music as Written. Billboard Jun 4, 1955 page 22
  24. ^ "Bill Haley & His Comets - Rock Around The Clock Milton Berle Evidence 1956". YouTube. June 5, 1956. Archived from the original on Dec 11, 2021. Retrieved October 10, 2016.
  25. ^ Kendall, Charlie (1984). "Shades of Pinkish – The Definitive Pink Floyd Profile". The Source Radio Show. Archived from the original on September 27, 2012. Retrieved July 27, 2011.
  26. ^ Shuker, Roy (2013). Understanding Popular Music. Abingdon, England: Routledge. p. 220. ISBN9781134564798 . Retrieved Oct three, 2020. The record was a hit in America, and then worldwide; somewhen selling 15 one thousand thousand copies.
  27. ^ Barnett, David C. (July 1, 2000). "(We're Gonna) Rock Around the Clock". NPR . Retrieved Oct 3, 2020. Since its release more than forty years ago, "Rock Around the Clock" has sold over 25 meg copies in over xxx languages.
  28. ^ "Under Construction". Rockisfifty.com. Archived from the original on June 14, 2019. Retrieved Oct 10, 2016.
  29. ^ Gundersen, Edna (March 18, 2005). "Rock 'Clock' strikes fifty". United states Today. p. E1.
  30. ^ ""EXTRA!" Page 1 / Pecker Haley and the Comets". Rockabillyhall.com . Retrieved Oct 10, 2016.
  31. ^ Congressional Record Vol. 139, No. 43, March 31, 1993; E841.
  32. ^ Kent, David (1993). Australian Nautical chart Book 1970–1992 (illustrated ed.). St Ives, New S Wales.: Australian Chart Volume. p. 306. ISBN0-646-11917-vi.
  33. ^ [ane] [ permanent dead link ]
  34. ^ Steffen Hung. "Nib Haley And His Comets - Stone Around The Clock". Dutchcharts.nl . Retrieved October 10, 2016.
  35. ^ "Official Charts Company". Officialcharts.com. January xiii, 1955. Retrieved June xi, 2020.
  36. ^ a b Joel Whitburn'south Top Pop Singles 1955–1990 - ISBN 0-89820-089-Ten
  37. ^ "Cash Box Top Singles 8/20/55". Cashboxmagazine.com. Archived from the original on Baronial xv, 2021. Retrieved May ii, 2021.
  38. ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. June 15, 1966. Retrieved July 11, 2020.
  39. ^ "Item Display - RPM - Library and Athenaeum Canada". Collectionscanada.gc.ca. June 1, 1968. Retrieved July 11, 2020.
  40. ^ "Official Charts Company". Officialcharts.com. April 9, 1968. Retrieved June xi, 2020.
  41. ^ Joel Whitburn's Bubbling Under the Billboard Hot 100 1959-2004
  42. ^ "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. June viii, 1974. Retrieved May 25, 2019.
  43. ^ "Official Charts Visitor". Officialcharts.com. March 16, 1974. Retrieved June 11, 2020.
  44. ^ "Greenbacks Box Meridian 100 6/01/74". December 20, 2016. Archived from the original on December 20, 2016. Retrieved May two, 2021.
  45. ^ "Tiptop 30 Hits of 1955/Top 30 Songs of 1955". Musicoutfitters.com . Retrieved May 2, 2021.

References [edit]

  • Dawson, Jim. Stone Around the Clock : The Tape that Started the Rock Revolution. Backbeat Books, 2005.
  • Ford, Peter. "Stone Effectually the Clock and Me" (Goldmine and Now Dig This magazines, 2004; online version)
  • Frazer-Harrison, Alex. "Rock Effectually the Clock: A Tribute" (Rockabilly Hall of Fame website, 1999–2004).
  • Haley, John Due west. and John von Hoelle. Audio and Glory (Dyne-American, 1990).

External links [edit]

  • Tribute to the song, with groundwork information and listing of embrace versions
  • Peter Ford tells how "Stone Around the Clock" came to exist chosen for Blackboard Jungle
  • The Story of Rock Around the Clock (Sound archive)

jackeyhouch1977.blogspot.com

Source: https://en.wikipedia.org/wiki/Rock_Around_the_Clock

0 Response to "1 2 3 O clock 4 O clock Rock Seven Heaven Take Me Again Radio"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel